Price by canvas size
Every The Calling of Saint Matthew we paint is made to order, so the price tracks the canvas size and the amount of brushwork involved. These are the sizes our customers order most:
| Size (inches) | Size (cm) | Estimated price | Best for |
|---|---|---|---|
| 16 × 20 in | 40 × 50 cm | $369 | Small study wall, gallery group |
| 24 × 32 in | 60 × 80 cm | $649 | Study or hallway feature wall |
| 35 × 47 in | 90 × 120 cm | $1,099 | Living room focal wall, dining room |
| 47 × 63 in | 120 × 160 cm | $1,499 | Large lobby, hospitality, private dining |
Estimates only — the final quote depends on your exact size, frame and shipping destination. Framing and shipping are quoted separately. Duties and import taxes are the buyer's responsibility (DAP).
Tell us your size and frame — we reply with an exact quote, usually within the hour.
💬 Get a The Calling of Saint Matthew Quote on WhatsAppPlanning a wall or comparing options? Save this painting to Pinterest
Why Caravaggio is the hardest painter to fake in print
The darkness in this painting is not black paint. Caravaggio built the shadows as warm, transparent brown glazes, and the light as thick opaque highlights laid on top — so the beam has volume, the hands have weight, and the whole scene feels lit from within the room rather than from the canvas surface. The contrast between thin darks and thick lights is real paint thickness, which is the one thing no print carries.
Printed, the shadows go flat and dead and the beam becomes a white shape. Painted by hand, the darks keep their depth and the highlights sit off the canvas and catch the light in your room — the painting still performs the way it does in the chapel, in a side aisle with almost no daylight.
There is a test we encourage buyers to use on any "oil painting" they are offered: run a fingernail very gently across the surface. A hand-painted canvas feels like terrain. A print feels like glass.
The painting itself
It hangs in Rome today, opposite another Caravaggio of the same saint, painted for the same chapel. Matthew sits among coin-counters in seventeenth-century dress — Caravaggio famously used real people from the Roman streets as his models and let their feet and their clothes look like real life. The pointing hand of Christ repeats the hand of Adam in Michelangelo's Sistine ceiling, ten years older and just up the road.
Buyers choose it for rooms that want atmosphere rather than decoration: studies, libraries, dining rooms, cocktail bars. It reads best in low warm light, which is also how we photograph it for approval.
How our painters reproduce it
Our studio is in Dafen Oil Painting Village, Shenzhen — the centre of hand-painted oil reproduction for more than thirty years. A The Calling of Saint Matthew here is not traced, projected or transferred. The painter works freehand from a high-resolution reference, in layers:
- Composition and ground. The canvas is toned and the main forms laid out in a thin underpainting, matching the original proportions to your chosen size.
- Colour build-up. The palette is mixed in oil, not acrylic — only oil gives the same depth, slow blending and the slightly translucent glow the original depends on.
- Impasto and surface passes. The signature strokes go on last, loaded with paint, following the direction of the original's brushwork. This is the slowest and most skilful stage.
- Drying and inspection. Layered oil needs days to set properly. We let it. Then the finished canvas is checked against the reference for colour, composition and stroke character.
Where it hangs best
A shaft of light across a dark tax office — the painting that invented Baroque drama. Rooms our customers choose most often:
- Study or library — the light beam and the dark room belong with wood and lamplight
- Dining room — candle-light dinners and Baroque drama were made for each other
- Hallway or stair wall — a strong dark canvas that reads in passing light
- Hospitality — cocktail bars, restaurant private rooms and boutique hotels
Framing
Choose gold to echo the original's warmth, matte black for a contemporary room, walnut for a traditional interior, or no frame at all as a gallery-wrap canvas ready to hang. Frames are quoted separately and packed with corner protection.
How ordering works
- Tell us the painting, size and frame. WhatsApp is fastest — include a wall photo if you want sizing advice.
- Get an exact quote. Usually within the hour, with the timeline confirmed in writing.
- 70% deposit starts the painting. Paid by bank transfer, PayPal, credit card or Wise.
- We send photographs of the finished painting. You review it before anything ships. If something clearly does not match your order notes, tell us and we adjust it.
- Pay the 30% balance, then we ship. Tracked worldwide courier, rolled in a rigid tube or crated if framed.
FAQ
Is this hand-painted or printed?
100% hand-painted in oil on artist canvas by a studio painter in Dafen. No printing, no transfer, no giclée. You can feel the brushwork on the surface.
How much does it cost?
Est. $369–$1499 depending on canvas size, from 16 × 20 in up to 47 × 63 in. Frame and shipping quoted separately.
Can I order a size that is not on the list?
Yes — any size. The painter works freehand on a blank canvas, so we can also crop the composition slightly to fit your wall proportions.
How do I approve it before shipping?
We send photographs of the finished painting. You approve first, then pay the 30% balance and we ship. If something clearly does not match your order notes, tell us and we adjust it before it leaves.
How long does it take?
Most take 2–4 weeks depending on size and the studio queue. Layered oil needs proper drying time. The timeline is confirmed in writing before any deposit.
Who pays import duty?
Shipping is worldwide and tracked, typically DHL or FedEx, quoted separately. Import duties and taxes in your country are the buyer's responsibility (DAP).
Ready to commission a real The Calling of Saint Matthew? Send the size and frame — quote back within the hour.
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