Upload a file, approve a proof, we print it on archival paper or canvas and ship it anywhere. One print or one hundred, unbranded if you need it — run from the same village that paints the originals.
Soft proof by email within 24 hours · No minimum order · White-label drop-ship available
We sell both, so we have no reason to oversell either. Here is the straight comparison — the one we give buyers who ask which they should choose.
| Fine art giclée print | Hand-painted oil painting | |
|---|---|---|
| Surface | Flat, even, photographic | Real brush texture, catches light |
| From a photograph | Exact reproduction of the file | Interpreted by a painter, can be improved |
| Best for | Photography, drawings, digital art, editions | Portraits, masterwork copies, feature walls |
| Identical repeats | Yes — every copy matches | No — each canvas differs slightly by hand |
| Lead time | Days | Weeks |
| Cost at scale | Lowest | Higher, and worth it for the surface |
| Combine both | Print the base, then hand-embellish in oil — quoted as its own option | |
Not sure which suits your project? Send the image and the room, and we will say which one we would buy.
The whole point of the proof stage is that you never discover a colour problem after a hundred prints are already boxed.
Send the file by WhatsApp, email or a transfer link, with the size, quantity and media you have in mind. We check resolution and come back with a price and an honest note on how large it will go.
Soft proof sent for approval. For colour-critical work we post a physical strip or a small sample print first, so you are judging ink on the actual paper rather than a screen.
Printed with pigment inks on the media you approved, then inspected individually. Canvas is stretched or rolled; paper is trimmed to size and interleaved.
Packed flat or rolled in a tube, boxed for postal networks or crated for freight. Your label or ours, direct to your customer or to your studio.
Four working categories. If you have a specific brand or a house paper you always use, tell us — we will source it or tell you honestly that we cannot.
Natural white, acid-free, heavy weight. The default choice for photography, drawing reproduction and limited editions that need to be archivable.
Matte or satin, printable and then stretchable onto bars. Used when the finished piece needs to hang unframed like a painting, or be hand-embellished afterwards.
For black-and-white photography and images that need a deeper black than matte paper delivers. Handles contrast well; shows fingerprints more easily.
Surfaces with a sheen or a tooth, for work that is meant to catch light or read as something other than a flat print.
Inks are pigment-based for permanence. The exact media, weight and finish used on your job are listed on your invoice, so what you sign off is what you get.
The service is the same; the brief is what changes.
Your work printed as a numbered edition, unbranded, with or without certificates. Ship to you in bulk or drop-shipped one at a time as you sell them.
Proofed against the media you will actually sell on, so the print you approve is the print your client receives. Sizes up to the file's honest limit.
Dozen or hundreds of the same image for corridors, guest rooms and restaurants. Priced by tier, packed to a schedule, and matched to the room's palette.
No studio paperwork in the box, your own packing slip, shipped straight to your customer. Useful if you run a storefront and would rather not hold stock.
Common sizes are below. Anything outside them is quoted on request — including very large single pieces and panelled sets.
Add a border for stretching or mounting, hand-embellishment in oil, or stretcher bars and framing — all quoted separately so you can choose.
300 dpi at the final print size is comfortable, 180 dpi is usually acceptable for large canvas viewed from a distance. Send the file and we will tell you the honest maximum size before you pay anything.
Yes, within the limits of the media. Send a reference print, a swatch or a Pantone and we will aim for it on the proof. Perfect matches across different paper stocks are not always possible and we will say so rather than promise it.
On request. For numbered editions we can supply certificates with edition number, media and date, either with our studio details or plain with yours.
Paper is interleaved and shipped flat in a rigid mailer, or rolled in a tube for large sizes. Canvas is rolled with a protective layer, or stretched and boxed. Bulk orders are cartonised and palletised for freight.
Yes, provided you hold the rights to the image. We ask you to confirm ownership of the file before a commercial run — it protects you as much as us.
For large canvases seen up close, usually yes: it removes the flatness that gives prints away. For small pieces behind glass, it makes little difference. We will tell you which case yours is.
Tell us the size, quantity and media — or say you are not sure, and we will recommend. Quotes within 24 hours.
Chat on WhatsApp — Instant Quote Wholesale & projects
Prefer email? dafenarthub@gmail.com · Trade enquiries: trade@dafenarthub.com
A working studio inside Dafen Oil Painting Village, Shenzhen — since 2016. Every line below runs through the same floor and the same WhatsApp number.